Jontavious Willis in Blues Center Interview #1 remastered

Jontavious Willis at Summerstage in Central Park

The Georgian blues phenom sits down for the inaugural Blues Center interview. In this expanded edition Jontavious talks about his mentor Taj Mahal, going down to Louisiana to get a mojo hand and Fats Domino’s update to “Junker’s Blues” with “The Fat Man.” Newly added concert footage from his appearances in New York City add to this mess o’ blues. Oh, and he can play county blues like a much older bluesman.

 

The Blues Continues – Octogenarians Mayall, Rush and Guy Steal the Show

The 2018 New Orleans Jazz & Heritage Festival is now in the books. This time around the blues tent was the place to be! Grammy winner Bobby Rush also stood out in the interview stage jamming with his producer Scott Billington on blues harp). John Mayall, the dean of British blues, regained his dueling lead guitar format with Carolyn Wonderland. And not to be left out Buddy Guy sizzled on guitar, as he took his case directly to the audience (see photo).

 

Bobby Rush at the 2018 New Orleans Jazz & Heritage Festival
John Mayall at the 2018 New Orleans Jazz & Heritage Festival
The 2018 New Orleans Jazz & Heritage Festival
Buddy Guy at the 2018 New Orleans Jazz & Heritage Festival
Buddy takes the axe down the aisle. Blasting blues licks through the crowd

Peter Case – Blues Center Interview #9

Peter plays and talks thru his years with the Plimsouls and the Nerves in BCI #9 with Ric Stewart. We detail his solo debut on Geffen with T-Bone Burnett producing. He recounts Elvis Costello playing him “Pair of Brown Eyes,” inspiring a Byrds-like electric folk re-cut with Roger McGuinn, Van Dyne Parks, Jim Keltner and T-Bone backing him. “Old Blue Car” gets a revamp and a 1996 version of “Walk in the Woods” provides the backdrop for an awesome encounter with Bruce Springsteen.

Janiva Magness – Blues Center Interview #8

Janiva Magness traces her career and New Orleans inspirations in the Blues Center interview with Ric Stewart. She gets started as an engineer, then a background singer for soulman Herman Jones. Later she cuts three attention grabbing releases for Alligator. She talks country and blues sources Hank Williams, Patsy Cline, Tex Ritter and Leroy Carr & Scrapper Blackwell. With powerful stage performances of “Long As I Can See The Light” “Moth to a Flame” and more.

Billy Vera – Blues Center Interview #7

Billy discusses New Orleans recordings at Specialty Records by Art Rupe with Lloyd Price, Little Richard, Larry Williams and their effect American teens and DJ Alan Freed. John Lennon and the Beatles took note covering Larry Williams tracks “Bony Maronie,” “Dizzy Miss Lizzy,” “Slowdown” and “Bad Boy.” Billy also talks about writing songs for Rick Nelson, Dolly Parton and Robert Plant. Billy won a Grammy for one of his 300+ liner notes. He has stayed busy in Hollywood, but grew up in the soul scene of Harlem’s Apollo Theater. Find out why Jerry Wexler signs Led Zeppelin and subscribe to catch the whole series!

The Eddie Hinton Story – Will a troubled Southern R&B genius finally get his due?

He should have been a superstar along the lines of Eric Clapton. Or John Mayer. Someone like that. As gifted as he was as a soul singer, songwriter, guitarist and producer, Hinton should have been rich and famous instead of a tragic cult hero who died broke and broken, known mostly only to hardcore Southern R&B obsessives, a man whose best recordings aren’t even in print right now.

But that’s how the hand of fate works sometimes.

After moving to Muscle Shoals, Hinton played guitar on Staple Singers, Boz Scaggs, Waylon Jennings, Mavis Staples, Toots Hibbert and Jimmy Cliff records. His playing is featured prominently on the Aretha Franklin LP “This Girl’s in Love with You.” And “3614 Jackson Highway,” the underrated covers album Cher made at Muscle Shoals Sound, bearing that Sheffield studio’s now famous address.

 

Read the full story at: http://www.al.com/entertainment/index.ssf/2018/01/eddie_hinton.html