The Eddie Hinton Story – Will a troubled Southern R&B genius finally get his due?

He should have been a superstar along the lines of Eric Clapton. Or John Mayer. Someone like that. As gifted as he was as a soul singer, songwriter, guitarist and producer, Hinton should have been rich and famous instead of a tragic cult hero who died broke and broken, known mostly only to hardcore Southern R&B obsessives, a man whose best recordings aren’t even in print right now.

But that’s how the hand of fate works sometimes.

After moving to Muscle Shoals, Hinton played guitar on Staple Singers, Boz Scaggs, Waylon Jennings, Mavis Staples, Toots Hibbert and Jimmy Cliff records. His playing is featured prominently on the Aretha Franklin LP “This Girl’s in Love with You.” And “3614 Jackson Highway,” the underrated covers album Cher made at Muscle Shoals Sound, bearing that Sheffield studio’s now famous address.

 

Read the full story at: http://www.al.com/entertainment/index.ssf/2018/01/eddie_hinton.html

Blues Center Trailer – Peter Case talks Bruce Springsteen

Introducing the Blues Center! Ric Stewart previews the channel and BCI #9 with Peter Case. Bruce Springsteen praised Peter Case’s work in Rolling Stone Magazine and took the time to meet him as he toured New Jersey. Ric interviewed Peter in 1996 and includes some of that footage to illustrate an hilarious story about meeting the Boss.

 

This video made possible in part by a Community Partnership grant from the New Orleans Jazz & Heritage Foundation.

Mason Ruffner – Blues Center Interview #6

Mason drops by Pinecohn Studios to talk Bob Dylan, Daniel Lanois, Buddy Holly, Jimmy Page and Carlos Santana. He lays down some of his signature tremolo-stained blues riffs. Live footage from French Quarter Fest highlights an amazing biography of huge accomplishments. Mason discusses his band’s role on Dylan’s “Series of Dreams” and his ongoing collaboration with Carlos Santana. He tries to recollect shooting a music video on top of The World Trade Center in 1987.

This video made possible in part by a Community Partnership grant from the New Orleans Jazz & Heritage Foundation.